
“I Only Seem Alone” by Emily Leonard
I think God knew that I needed cats in my life. When I moved in July, I couldn’t bring my beloved Angelo with me. He returned to my mom’s house in Murfreesboro, and I settled in here behind the red door. But, about a month ago, I stepped out to get the mail (which is always a near-ecstatic experience for me: a microcosm of life on the whole…the waiting. the disappointment. the frustrations when bills come. the surprise and joy of an unexpected, or expected, letter). I wouldn’t quite call it quite paradisaical, but it is cerainly satisfying to peer in that well-hole dark and spot a white glimpse that is not the reflection of the overarching sky or a thin, wan face.
Anyway, I stepped out, but my small trek across the lawn was curtailed by a little, extraordinarily personable cat who had situated himself underneath the connection for the garden hose in the front landscaping of our house (was he thirsty? I put water out for him in a plastic sour cream cup just in case). He approached immediately and subsequently, days later, invited two of his friends. He is marked like a clouded leopard; his friends, first, (a youngster) is white with blotches of orange tabby; the second is pitch black. Since that day, they have been the constant denizens, a triumvarate presence around our front yard. I might even venture to say that they are the cherubims of the mailbox, elegant guardians of our most treasured missives! Well, anyway, I am waxing poetic. BUT, I’ve enjoyed them, immensely so.
Perhaps it is egotistical to believe that God arranged their coming. Is it so to think that the Marley song I heard on the radio when I really needed to hear that every little thing was (indeed!) gonna be alright was not coincedental or that my accidental discovery of Emily Leonard as I flipped through Nashville Art magazine was nothing short of divine? These small one hundred things that I notice or I don’t, surely, are the one hundred invisible strands of something I catch a glimpse of only ever so often, like when I am walking at Radnor at a particular time of day when the sun is at a particular slant, and the spider webs gleam from between the trees like shining eyes or portals or cross-sections of a ghostly hundred-year’s trunk. There seems some sort of substance in these daily things, the sort that is sustaining. I can’t help but share Emily’s work with you. This is what she wrote about her collection, “Together.” Whew.
Together
May 2006
Southgate Studio and Fine Art
Franklin, Tennessee
I have been thinking a lot about space and spaces lately. One day while I was supposed to be painting, I thought at length about the spaces between notes on a fiddle in a particular bluegrass song. I have thought more about the space between the sun and me; also, about the space between me and people that I love; and quite a bit about the precise amount of space in the bed of my truck that all these paintings must fit into. And as I carried them here with my cat across the space between Seattle and Nashville, I thought about the space that my paintings travel on route from nothing to something. While they are being made, the time and layers of paint that lapse between conception and the finished piece rolls over weeks and months and the countenance of the painting changes in the journey. In the beginning, I am sure in my gut that the shape of a tree against the sky has eternal significance. And so I paint and this thoughtfulness grows and just as it begins to tip over into knowledge, I have to laugh at myself and walk away. The trust must be the answer. But here is what I did learn…
I have been painting the Middle Tennessee landscape at dawn and dusk for a while — a time in these parts that is so rich at once in both color and loneliness. As I write this to you on a back porch overlooking a meadow between two Franklin hills, the sky is turning from orange to deep and the field that was before me becomes lost. It occurs to me that twice everyday the sun actually comes down and touches the land, taking us from proof into trust. I think it is in this coming together of the earth and sun that I find my contentment, my deliverance, and of course my subject matter. This grand miraculous movement of the sun tells me again of the smaller, more internal movements that are possible — movements of peace, of homecomings, of travel, of quiet revolutions. It is in those moments where the very parts in me and around me that I thought were alone are now, actually, together.
